Category Archives: Patreon

Hatter’s Lab in Umbraland & Live Stream

Dear Insane Children, 

A quick reminder that there will be a Live Stream in a few hours… 

And the best place to join is over on my Twitch Channel:

twitch.tv/americanmcgee 

If you miss the stream live or don’t have Twitch, you can also check it out live or view the post-stream recording over on YouTube: 

youtube.com/americanmcgeeofficial 

There will be PRIZES but you can’t win them if you’re watching on YouTube!

Today we will discuss the latest BD, art, and story developments on Alice: Asylum. 

We’ll also have a look at some Plushie Dreadfuls. 

And I’ll be terrible at Madness Returns. Again.

From Shanghai with Lava, 

-American

The Livestream Train is Approaching

Dear Insane Children, 

All aboard! Or… all under-board? What do you call a train that rides… on you? Justice? 

That reminds me of one of those old “In Soviet Russia, trains ride you!” jokes. 

Anyway, we’ll ponder all this and more during the Live Stream later this week!

Live Stream Woo WOo!

The usual time and place. 7 PM on June 23rd if you’re in the USA (West Coast). 

And you can join via Twitch or YouTube… 

twitch.tv/americanmcgee 

or 

youtube.com/americanmcgeeofficial 

Though if you want to WIN PRIZES you better join via Twitch because… reasons. 

And, yeah, that latest image from Adam Narozanski is amazing! 

If you like pina colada’s and pushing men under trains… 

See you later this week! 

From Shanghai with The Man in the Moon, 

-American

A Reflection on the Nature of Shadows

Dear Insane Children,

Over the course of pre-production on Alice: Asylum we’ve frequently made reference to Shadow Alice, the arch-nemesis of Child Alice and the force of darkness threatening to destroy Wonderland. And we’ve also seen a variety of interpretations of this aspect of Alice’s character. A few of those are shared below… 

This burnt-face interpretation came from Joey (image above). 

As did this child-like version (image above). 

Harvest Dress images from Omri – not exactly Shadow Alice but… (two images above). 

These variations on the Harvest Dress (and visuals effects) could certainly scare you into thinking you’re looking at Shadow Alice (two images above). 

The main image (top of page) was sent by Alex today. He’s asking the art team to help establish a clear and consistent look-feel for Shadow Alice throughout the game. So he’s showing a potential progression from start to finish (going from left to right across the image). The left-most version is what we’d see reflected in the Dark Lookingglass at the start of the game. 

Crowd Design Time!

Which version is your favorite? Or do you have something else in mind. 

Things to remember about Shadow Alice:

First off, she’s the Alice you know best. Because she’s the Alice who you traveled with through “American McGee’s Alice” and “Alice: Madness Returns” – she’s the fighter, survivor, adventurer who made her way past all those obstacles, enemies, and boss encounters. 

Next, she’s the Shadow Self. But she’s also the dominant personality within Alice’s psyche.

Also, at this stage in the game, she’s in a form (age, size) closely resembling Adult Alice. Because she’s grown up alongside Alice and been through (guided?) everything Alice has been through. 

Lastly, she’s a little bit Rock & Roll, knives out, stilettoed boots, black mascara, … and for fun, she pushes guys under moving trains. 

Personally, of the images presented here, I like the floaty-hair, white-eyed, devil lady from Omri’s Harvest Dress sketches. But maybe we use those as a starting point for a new round of exploration? 

Let us know in the comments what YOU think!

From Shanghai with Black Goo,

-American 

Beethoven? Chopin? Melancholy?

Dear Insane Children, 

What is your favorite piece of dark or moody classical music?

As I am writing the end of the Alice: Asylum narrative, I am listening to a mix of Chopin and Beethoven – Nocturne No. 20 and Moonlight Sonata specifically. And I’m thinking about how music from these artists – and others of the era – might influence the soundtrack, theme, and mood of Alice: Asylum.

Let me know in the comments what pieces spring to mind when you think of the Alice series – keep in mind our story takes place in 1876 and Alice can online imagine music that she might have heard in the years prior.

We had an emphasis on cello music in Madness Returns – partly because it’s one of my favorite musical “voices,” partly because I myself play cello – but I think maybe we’ll focus on piano music for Asylum? There’s something more “mature” about the cello as a voice. And piano can, I think, better convey a child-like tone. Our main character in Asylum, young Alice, is only 13. Maybe piano is more her sound?

And here’s a new piece from Joey – I don’t think I’ve posted this before? – where we see Young Alice exploring the Memory Mines. 

Also, anyone else think Trent Reznor kinda looks like Frederic Chopin? Or is that just me?

Anyway, let us know in the comments what you think!

PS: This question DOES NOT mean we’re doing anything crazy with the direction of the music in Alice: Asylum nor that Chris Vrenna can’t be involved or anything like that. Influence for things like music comes from many places. Liking one thing does not mean we can’t have other things. 

From Shanghai with Grrr Face, 

-American

Lost In Umbraland

Dear Insane Children, 

Normally we’d have a Live Stream tomorrow at the usual time – we try to host them every other week. But I’d like to request that we skip this one. Why? Well, Yan is taking Lucky and Grandma on a short trip to nearby Suzhou. Martin is apartment hunting. And I am deep in Umbraland, sorting out the ending of the story for Alice: Asylum. If we skip the Live Stream tomorrow it means I can have a day on my own (alone!) to focus on writing. And Martin can continue his search for the next Font Manor. 

So… no live stream tomorrow! 

But we will be back next week on the 24th (23rd in the USA). 

In the meantime, our art team continues to crank out beautiful illustrations for the scenes we’re writing. The latest from Omri (main image, above) shows The Vale of Tears under the influence of Shadow Alice (Umbraland). 

Adam is working on an illustration capturing the moment Alice pushes Bumby under the train. This will be relived in the Memory Mines by Child Alice. It’s obviously a critical scene so there was a bit of discussion about which variation might be best… 

Let us know in the comments which is your favorite – A? B? C? or D?

And Joey is working on The Memory Tree – an important location in the Vale of Tears where all of Alice’s imagination springs forth. 

We can review all of this stuff – and maybe even have a narrative overview for review – when we do the next live stream. Yay! 

Oh… 

Shy Rabbit was launched over in the Mysterious Shop for those of you interested in her. 

You can check her out HERE

Jen and Yan are doing some really fun stuff for the upcoming Plushie Dreadfuls. Will share their design ideas soon. 

From Shanghai with Quiet Days Ahead, 

-American 

Umbra Hatter’s Domain

Dear Insane Children, 

A new image from Omri showing the Umbraland version of Hatter’s Domain! 

The Alice: Asylum pre-production team continues to explore ideas related to what we’re calling “Umbraland” – the result of Shadow Alice taking over Wonderland. Child Alice arrives in this place after years “under glass” – kept in stasis inside Snow Globe Wonderland. The final chapter of the game will pit these two characters against one another to decide the fate of Wonderland…

BUT!

How do you imagine we might resolve a battle between the Shadow and Child Self? Should the Shadow win? What if the Child wins? What impact would that have on Wonderland? On Alice’s psyche?

And when you think about PTSD and potential outcomes as they related to our internal “selves” – what direction do you think would be preferable? Do you know people who, after suffering through PTSD, allowed the Shadow to consume them? Or perhaps they reverted to their Child selves?

And what if neither side “wins” this fight? (This is the direction we’re going in the writing, BTW).

What’s the best way to communicate this sort of resolution where the Shadow and the Child both win and both lose?

Let me know in the comments below what you think!

From Shanghai with A Shadow Child, 

-American